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{
"id": "nightwatch-crewdson",
"title": "Gregory Crewdson, the Night Watcher",
"titleParts": [
"Gregory Crewdson, the Night Watcher"
],
"category": "papers",
"date": "2026-09-17",
"byline": "Guosen Chen, Gregory Crewdson",
"publisher": "",
"publication": "Lishui Photography Festival / FIAP World Photographers Conference",
"sourceUrl": "https://mp.weixin.qq.com/s/29xVb68-opiIDNzR3emZ7w",
"excerpt": "Gregory Crewdson's work rewards long looking. Whether we gaze at a single image for a long time or take the pictures in as a sequence, we notice one thing: these images are so dense and so r",
"cover": "/assets/articles/nightwatch-crewdson-cover-hd.webp",
"cardAuthor": "Guosen Chen",
"titlePhrases": [],
"publicationUrl": "https://mp.weixin.qq.com/s/29xVb68-opiIDNzR3emZ7w",
"eventContext": "Lishui Photography Festival / FIAP World Photographers Conference",
"mlaCitation": "Chen, Guosen, et al. “Gregory Crewdson, the Night Watcher.” Photography Theory Shelter, 17 Sept 2026, www.phototheory.cn/en/articles/nightwatch-crewdson.",
"originalLanguage": "Chinese"
},
{
"id": "lu-expedition",
"title": "Book Introduction: Expedition: Century Avant-Garde and Global Contemporary",
"category": "papers",
"date": "2026-09-17",
"byline": "Mingjun Lu",
"publisher": "",
"publication": "Photography Theory Shelter",
"sourceUrl": "",
"excerpt": "When globalization is no longer seen as an irreversible process, how else can we tell the story of Chinese contemporary art? Narratives about Chinese contemporary art are often framed by a f",
"cover": "/assets/articles/lu-expedition-85.webp",
"titleParts": [
"Book Introduction: Expedition: Century Avant-Garde and Global Contemporary"
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"titlePhrases": [],
"cardAuthor": "Mingjun Lu",
"publicationUrl": "https://www.phototheory.cn/articles/lu-expedition",
"eventContext": "",
"mlaCitation": "Lu, Mingjun. “Book Introduction: Expedition: Century Avant-Garde and Global Contemporary.” Photography Theory Shelter, 17 Sept 2026, www.phototheory.cn/en/articles/lu-expedition.",
"originalLanguage": "Chinese"
},
{
"id": "photography-self-shame",
"title": "Photography and the Self: Why Do Some Photos Make Us Feel Ashamed?",
"category": "conversations",
"date": "2026-09-01",
"byline": "Guosen Chen, Chang Liu, Tao Tao, Audience",
"publisher": "",
"publication": "Photography Theory Shelter · Student seminar at Fudan University’s Phenomenology and Art Summer Workshop",
"sourceUrl": "",
"excerpt": "Ilse BingPhotography and the Self Hello everyone. Today I'd like to talk about something most of you have probably experienced to some degree. Sometimes someone takes a photo of you, sees no",
"cover": "/assets/articles/photography-self-ilse-bing.webp",
"titleParts": [
"Photography and the Self: Why Do Some Photos Make Us Feel Ashamed?"
],
"titlePhrases": [],
"cardAuthor": "Guosen Chen",
"publicationUrl": "https://www.phototheory.cn/articles/photography-self-shame",
"eventContext": "Student seminar, Fudan University’s Phenomenology and Art Summer Workshop",
"mlaCitation": "Chen, Guosen, et al. “Photography and the Self: Why Do Some Photos Make Us Feel Ashamed?” Photography Theory Shelter, 1 Sept 2026, www.phototheory.cn/en/articles/photography-self-shame.",
"originalLanguage": "Chinese"
},
{
"id": "open-photography-history",
"title": "Writing an Open History of Photography: Power, Archives, and the Future",
"titleParts": [
"Writing an Open History of Photography: Power, Archives, and the Future"
],
"category": "conversations",
"date": "2026-08-30",
"byline": "Guosen Chen, Yiwei Wang, Wen Zhang, Yaqiong Zhang",
"publication": "Writing Photographic History roundtable",
"publisher": "",
"sourceUrl": "https://imagepresence.cargo.site/roundtable-17",
"excerpt": "This article is adapted from the roundtable podcast \"Writing the History of Photography.\" Writing the history of photography is not a neutral exercise in organizing archives. It is closer to",
"cover": "/assets/articles/open-photography-history-047.webp",
"publicationUrl": "https://imagepresence.cargo.site/roundtable-17",
"titlePhrases": [],
"cardAuthor": "Guosen Chen",
"eventContext": "Writing Photographic History roundtable",
"mlaCitation": "Chen, Guosen, et al. “Writing an Open History of Photography: Power, Archives, and the Future.” Photography Theory Shelter, 30 Aug 2026, www.phototheory.cn/en/articles/open-photography-history.",
"originalLanguage": "Chinese"
},
{
"id": "photography-is-magic",
"title": "In Conversation with Charlotte Cotton",
"category": "server",
"date": "2026-07-28",
"byline": "Charlotte Cotton, Rong Jiang, Guosen Chen, Ce Zang",
"publisher": "",
"publication": "Huxi Commune PLUS",
"sourceUrl": "https://mp.weixin.qq.com/s/MfkYTdON3tSaDgGKcXv1IA",
"excerpt": "For the eighteenth session of the seminar series \"Contemporary Images: Paths and Possibilities,\" we invited the internationally renowned contemporary photography critic and curator Charlotte",
"cover": "/assets/articles/photography-is-magic-012.webp",
"biographySources": {
"夏洛特·科顿": [
"https://www.icp.org/sites/default/files/Release_ICP%20Magnum%20Women%20%208-22-22.pdf",
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},
"titlePhrases": [],
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"cardAuthor": "Charlotte Cotton",
"publicationUrl": "https://mp.weixin.qq.com/s/MfkYTdON3tSaDgGKcXv1IA",
"eventContext": "",
"mlaCitation": "Cotton, Charlotte, et al. “In Conversation with Charlotte Cotton.” Photography Theory Shelter, 28 Jul 2026, www.phototheory.cn/en/articles/photography-is-magic.",
"originalLanguage": "Chinese and English"
},
{
"id": "knowledge-beyond",
"title": "A Dialogue with Yuk Hui: Technology, Individuation, and the Limits of Philosophy",
"titleParts": [
"A Dialogue with Yuk Hui: Technology, Individuation, and the Limits of Philosophy"
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"titlePhrases": [],
"category": "conversations",
"date": "2026-05-21",
"byline": "Yuk Hui, Guosen Chen",
"cardAuthor": "Yuk Hui",
"publisher": "",
"publication": "Photography Theory Shelter",
"sourceUrl": "",
"excerpt": "Editor's Note The relationship between technology and philosophy has never been merely a matter of disciplinary boundaries. It bears on how we understand the limits of knowledge, the becomin",
"cover": "/assets/articles/knowledge-beyond-yuk-hui.webp",
"publicationUrl": "https://www.phototheory.cn/articles/knowledge-beyond",
"eventContext": "",
"mlaCitation": "Hui, Yuk, et al. “A Dialogue with Yuk Hui: Technology, Individuation, and the Limits of Philosophy.” Photography Theory Shelter, 21 May 2026, www.phototheory.cn/en/articles/knowledge-beyond.",
"originalLanguage": "Chinese"
},
{
"id": "wall-contemporary-art",
"title": "In Conversation with Jeff Wall",
"category": "server",
"date": "2026-05-09",
"byline": "Jeff Wall, Rong Jiang, Guosen Chen, Ce Zang",
"publisher": "",
"publication": "Huxi Commune PLUS",
"sourceUrl": "https://mp.weixin.qq.com/s?__biz=MzI1NjI0OTUwNA==&mid=2247491348&idx=1&sn=3e61f4cf3c7b5c0fddad7b039071c64f&chksm=eb977860d06bde15f37728fa99698645d26dfc2cad7e656c8cddc20bb6f1e6c67eea11b7a8bc#rd",
"excerpt": "Opening Ce Zang Hello everyone, I'm Ce Zang, today's host. Welcome to the eighteenth session of Server Art's \"Paths and Possibilities of Contemporary Image-Making.\" We are very honored today",
"cover": "/assets/articles/wall-dead-troops-cover.webp",
"biographySources": {
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"titlePhrases": [],
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"cardAuthor": "Jeff Wall",
"publicationUrl": "https://mp.weixin.qq.com/s?__biz=MzI1NjI0OTUwNA==&mid=2247491348&idx=1&sn=3e61f4cf3c7b5c0fddad7b039071c64f&chksm=eb977860d06bde15f37728fa99698645d26dfc2cad7e656c8cddc20bb6f1e6c67eea11b7a8bc#rd",
"eventContext": "",
"mlaCitation": "Wall, Jeff, et al. “In Conversation with Jeff Wall.” Photography Theory Shelter, 9 May 2026, www.phototheory.cn/en/articles/wall-contemporary-art.",
"originalLanguage": "Chinese and English"
},
{
"id": "ai-ethics-five-questions",
"title": "When Everything the AI Says Is \"Correct\": Five Questions on AI Ethics",
"category": "papers",
"date": "2026-04-11",
"byline": "Guosen Chen",
"publisher": "",
"publication": "Little Cain Shelter",
"sourceUrl": "https://mp.weixin.qq.com/s/LZe224_b5TySo0LnKsLf8w",
"excerpt": "Cover: Hans Holbein the Younger,The Ambassadors (1533). Two well-dressed men stand on either side of an array of measuring instruments, all symbols of order, precision, and reason. But at th",
"cover": "/assets/articles/ai-ethics-five-questions-000.webp",
"titleParts": [
"When Everything the AI Says Is \"Correct\": Five Questions on AI Ethics"
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"coverStyle": "object-position:center 15%",
"titlePhrases": [],
"cardAuthor": "Guosen Chen",
"publicationUrl": "https://mp.weixin.qq.com/s/LZe224_b5TySo0LnKsLf8w",
"eventContext": "",
"mlaCitation": "Chen, Guosen. “When Everything the AI Says Is \"Correct\": Five Questions on AI Ethics.” Photography Theory Shelter, 11 Apr 2026, www.phototheory.cn/en/articles/ai-ethics-five-questions.",
"originalLanguage": "Chinese"
},
{
"id": "ethics-of-representation",
"title": "The Ethics of Representation: The Aesthetics of Traces in Atrocity Photography",
"category": "papers",
"date": "2026-02-25",
"byline": "Guosen Chen",
"publisher": "",
"publication": "Little Cain Shelter · Twenty-First Century, Dec. 2025, pp. 120–134",
"sourceUrl": "https://mp.weixin.qq.com/s/Lv_jTlnIJNqSIx4JBdfYxw",
"excerpt": "This essay was written around the same time as \"What Is Photography Today? A Political Ontology,\" which I posted here a while ago (both date from roughly the second half of 2023), so their c",
"cover": "/assets/articles/ethics-of-representation-004.webp",
"titleParts": [
"The Ethics of Representation: The Aesthetics of Traces in Atrocity Photography"
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"titlePhrases": [],
"cardAuthor": "Guosen Chen",
"publicationUrl": "https://mp.weixin.qq.com/s/Lv_jTlnIJNqSIx4JBdfYxw",
"eventContext": "",
"mlaCitation": "Chen, Guosen. “The Ethics of Representation: The Aesthetics of Traces in Atrocity Photography.” Twenty-First Century, Dec. 2025, pp. 120–134.",
"originalLanguage": "Chinese"
},
{
"id": "political-ontology",
"title": "What Is Photography Today? A Political Ontology",
"category": "papers",
"date": "2026-02-21",
"byline": "Guosen Chen",
"publisher": "",
"publication": "Little Cain Shelter · Advances in Art Studies, vol. 2, no. 2, 2025, pp. 218–230",
"sourceUrl": "https://mp.weixin.qq.com/s/q8AjCSm9yKw6xDeGJ9RNcg",
"excerpt": "Note: This piece was published in Advances in Art Studies, Vol. 2, No. 2 (2025). I first wrote it in 2023, and after several years of wandering it has finally found a home. I owe special tha",
"cover": "/assets/articles/political-ontology-013.webp",
"titlePhrases": [],
"titleParts": [
"What Is Photography Today?",
"A Political Ontology"
],
"cardAuthor": "Guosen Chen",
"publicationUrl": "https://mp.weixin.qq.com/s/q8AjCSm9yKw6xDeGJ9RNcg",
"eventContext": "",
"mlaCitation": "Chen, Guosen. “What Is Photography Today? A Political Ontology.” Advances in Art Studies, vol. 2, no. 2, 2025, pp. 218–230.",
"originalLanguage": "Chinese"
},
{
"id": "ruff-meta-photography",
"title": "In Conversation with Thomas Ruff",
"category": "server",
"date": "2026-02-13",
"byline": "Thomas Ruff, Rong Jiang, Tu Hu, Guosen Chen, Ce Zang",
"publisher": "",
"publication": "Huxi Commune PLUS",
"sourceUrl": "https://mp.weixin.qq.com/s?__biz=MzI1NjI0OTUwNA==&mid=2247491270&idx=1&sn=cb1c5eb80fa83050cf2125a1ad502d75&chksm=eba14f8eebf64de24f4eefcff5a35c7866bd35136beaac3b67ba2c6d2c5fc3790facd3aae079#rd",
"excerpt": "For the seventeenth session of the \"Contemporary Image: Paths and Possibilities\" seminar series, we invited Thomas Ruff, one of the leading figures of the Düsseldorf School of Photography, a",
"cover": "/assets/articles/ruff-meta-photography-010.webp",
"biographySources": {
"托马斯·鲁夫": [
"https://www.davidzwirner.com/artists/thomas-ruff"
],
"胡涂": [
"https://m.thepaper.cn/baijiahao_4743326",
"https://www.bilibili.com/cheese/play/ep2392239"
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},
"titlePhrases": [],
"titleParts": [
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"cardAuthor": "Thomas Ruff",
"publicationUrl": "https://mp.weixin.qq.com/s?__biz=MzI1NjI0OTUwNA==&mid=2247491270&idx=1&sn=cb1c5eb80fa83050cf2125a1ad502d75&chksm=eba14f8eebf64de24f4eefcff5a35c7866bd35136beaac3b67ba2c6d2c5fc3790facd3aae079#rd",
"eventContext": "",
"mlaCitation": "Ruff, Thomas, et al. “In Conversation with Thomas Ruff.” Photography Theory Shelter, 13 Feb 2026, www.phototheory.cn/en/articles/ruff-meta-photography.",
"originalLanguage": "Chinese and English"
},
{
"id": "reading-photographs",
"title": "A Conversation with David Campany",
"category": "server",
"date": "2026-01-29",
"byline": "David Campany, Rong Jiang, Guosen Chen, Ce Zang",
"publisher": "",
"publication": "Huxi Commune PLUS",
"sourceUrl": "https://mp.weixin.qq.com/s?__biz=MzI1NjI0OTUwNA==&mid=2247491226&idx=1&sn=6fdb9c01cc1f673b00f31b0660076b09&chksm=eb49cb4729de2caf3d47ebdd8ac3be4e215ea719d0acfdfa819e63d3425b5d908c37d2641ba2#rd",
"excerpt": "For the fifteenth session of the seminar series \"Contemporary Images: Paths and Possibilities,\" we invited the internationally renowned curator, writer, book editor and educator David Campan",
"cover": "/assets/articles/reading-photographs-013.webp",
"biographySources": {
"大卫·坎帕尼": [
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},
"titlePhrases": [],
"titleParts": [
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"cardAuthor": "David Campany",
"publicationUrl": "https://mp.weixin.qq.com/s?__biz=MzI1NjI0OTUwNA==&mid=2247491226&idx=1&sn=6fdb9c01cc1f673b00f31b0660076b09&chksm=eb49cb4729de2caf3d47ebdd8ac3be4e215ea719d0acfdfa819e63d3425b5d908c37d2641ba2#rd",
"eventContext": "",
"mlaCitation": "Campany, David, et al. “A Conversation with David Campany.” Photography Theory Shelter, 29 Jan 2026, www.phototheory.cn/en/articles/reading-photographs.",
"originalLanguage": "Chinese and English"
},
{
"id": "jeff-wall-staging",
"title": "Reading Jeff Wall: How Does a Staged Photograph Become a Classic?",
"category": "conversations",
"date": "2026-01-17",
"byline": "Guosen Chen",
"publisher": "",
"publication": "Little Cain Shelter",
"sourceUrl": "https://mp.weixin.qq.com/s/nwjShoFxvZ6rY0Tugt6kFQ",
"excerpt": "The event \"Jeff Wall: How Does a Staged Photograph Become a Classic?\", January 16, 2026, Chengdu, Butread Bookstore (Zongbei branch). Photo by Xi Yang Guosen Chen The photographer we're going to",
"cover": "/assets/articles/jeff-wall-staging-005.webp",
"titleParts": [
"Reading Jeff Wall: How Does a Staged Photograph Become a Classic?"
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"titlePhrases": [],
"cardAuthor": "Guosen Chen",
"publicationUrl": "https://mp.weixin.qq.com/s/nwjShoFxvZ6rY0Tugt6kFQ",
"eventContext": "Butread Bookstore, Chengdu",
"mlaCitation": "Chen, Guosen. “Reading Jeff Wall: How Does a Staged Photograph Become a Classic?” Photography Theory Shelter, 17 Jan 2026, www.phototheory.cn/en/articles/jeff-wall-staging.",
"originalLanguage": "Chinese"
},
{
"id": "tableau-form",
"title": "The Cut, the Apparatus, Constructedness: On the Problem of the \"tableau form\" in Contemporary Photography",
"category": "papers",
"date": "2025-12-13",
"byline": "Guosen Chen",
"publisher": "",
"publication": "Little Cain Shelter · Journal of Nanjing Arts Institute (Fine Arts & Design), no. 6, 2025, pp. 80–88",
"sourceUrl": "https://mp.weixin.qq.com/s/mtEbIDPfCY0GD8Y3tW2kbA",
"excerpt": "Introductory Note The immediate occasion for this essay was the exhibition \"Another Avant-Garde\" at the West Bund Museum in Shanghai, where the curators placed Jeff Wall's Picture for Women ",
"cover": "/assets/articles/tableau-form-cover-hd.webp",
"titleParts": [
"The Cut, the Apparatus, Constructedness: On the Problem of the \"tableau form\" in Contemporary Photography"
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"titlePhrases": [],
"cardAuthor": "Guosen Chen",
"publicationUrl": "https://mp.weixin.qq.com/s/mtEbIDPfCY0GD8Y3tW2kbA",
"eventContext": "",
"mlaCitation": "Chen, Guosen. “The Cut, the Apparatus, Constructedness: On the Problem of the "tableau form" in Contemporary Photography.” Journal of Nanjing Arts Institute (Fine Arts & Design), no. 6, 2025, pp. 80–88.",
"originalLanguage": "Chinese"
},
{
"id": "uncanny-landscape",
"title": "The Uncanny Landscape: On the Non-Intimacy of Landscape Photography",
"category": "papers",
"date": "2025-12-07",
"byline": "Guosen Chen",
"publisher": "",
"publication": "Little Cain Shelter · Essay for the Reproduction of Landscape exhibition",
"sourceUrl": "https://mp.weixin.qq.com/s/8bEywuscs3OdzAyCJOwWyA",
"excerpt": "A preliminary note: this essay does not distinguish between the two Chinese words fengjing and jingguan. Readers may take both as equivalent to \"landscape,\" but they should not confuse the l",
"cover": "/assets/articles/uncanny-landscape-006.webp",
"titleParts": [
"The Uncanny Landscape: On the Non-Intimacy of Landscape Photography"
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"titlePhrases": [],
"cardAuthor": "Guosen Chen",
"publicationUrl": "https://mp.weixin.qq.com/s/8bEywuscs3OdzAyCJOwWyA",
"eventContext": "",
"mlaCitation": "Chen, Guosen. “The Uncanny Landscape: On the Non-Intimacy of Landscape Photography.” Photography Theory Shelter, 7 Dec 2025, www.phototheory.cn/en/articles/uncanny-landscape.",
"originalLanguage": "Chinese"
},
{
"id": "beyond-documentary",
"title": "\"Beyond Documentary\" and \"Above the Document\"",
"date": "2025-11-30",
"byline": "Rong Jiang, Dan Luo, Guosen Chen, Ce Zang",
"titleParts": [
"\"Beyond Documentary\" and \"Above the Document\""
],
"category": "server",
"publisher": "",
"publication": "Server Art",
"sourceUrl": "",
"excerpt": "Opening Ce Zang Good evening, friends. I'm Ce Zang, tonight's host. Welcome to the Huxi Commune \"Cloud Dinner.\" This is the forty-sixth session of our interdisciplinary series \"Paths an",
"cover": "/assets/articles/dialogue-luo-003.webp",
"coverStyle": "transform:scale(1.26)",
"titlePhrases": [],
"cardAuthor": "Rong Jiang",
"publicationUrl": "https://www.phototheory.cn/articles/beyond-documentary",
"eventContext": "",
"mlaCitation": "Jiang, Rong, et al. “\"Beyond Documentary\" and \"Above the Document\".” Photography Theory Shelter, 30 Nov 2025, www.phototheory.cn/en/articles/beyond-documentary.",
"originalLanguage": "Chinese"
},
{
"id": "gregory-crewdson",
"title": "A Conversation with Gregory Crewdson",
"category": "server",
"date": "2025-11-19",
"byline": "Gregory Crewdson, Rong Jiang, Ronghui Chen, Ce Zang",
"publisher": "",
"publication": "Server Art",
"sourceUrl": "https://mp.weixin.qq.com/s/aAmDKlDlf8rxgqWraTm0UQ",
"excerpt": "Since the mid-1980s, Crewdson has used small suburban towns in the eastern United States as his settings, working like a film director to create still photographs that depict the alienation ",
"cover": "/assets/articles/crewdson-047.webp",
"titleParts": [
"A Conversation with Gregory Crewdson"
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"titlePhrases": [],
"cardAuthor": "Gregory Crewdson",
"publicationUrl": "https://mp.weixin.qq.com/s/aAmDKlDlf8rxgqWraTm0UQ",
"eventContext": "",
"mlaCitation": "Crewdson, Gregory, et al. “A Conversation with Gregory Crewdson.” Photography Theory Shelter, 19 Nov 2025, www.phototheory.cn/en/articles/gregory-crewdson.",
"originalLanguage": "Chinese and English"
},
{
"id": "ruff-mind-map",
"title": "Reading Thomas Ruff: How Should We Understand \"The Mind Map of Photography\"?",
"category": "conversations",
"date": "2025-11-10",
"byline": "Chuanduan Chen, Guosen Chen, Tong Niu et al.",
"publisher": "",
"publication": "Little Cain Shelter",
"sourceUrl": "https://mp.weixin.qq.com/s/XP8EhOCBNcuzt0_XjIhrpw",
"excerpt": "\"Thomas Ruff: The Mind Map of Photography,\" Lishui Photography Culture Center, November 10, 2025. Photo by Guosen Chen Chuanduan Chen Today I'd like to talk about what struck me most. When y",
"cover": "/assets/articles/ruff-mind-map-005.webp",
"titleParts": [
"Reading Thomas Ruff: How Should We Understand \"The Mind Map of Photography\"?"
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"titlePhrases": [],
"cardAuthor": "Chuanduan Chen",
"publicationUrl": "https://mp.weixin.qq.com/s/XP8EhOCBNcuzt0_XjIhrpw",
"eventContext": "",
"mlaCitation": "Chen, Chuanduan, et al. “Reading Thomas Ruff: How Should We Understand \"The Mind Map of Photography\"?” Photography Theory Shelter, 10 Nov 2025, www.phototheory.cn/en/articles/ruff-mind-map.",
"originalLanguage": "Chinese"
},
{
"id": "warburg-electricity",
"title": "Electric Waves and Ghosts around 1900: \"Electricity\" and Warburg's \"Image Science\"",
"category": "papers",
"date": "2025-09-24",
"byline": "Hongkai Qiao",
"publisher": "",
"publication": "Sisyphus Art Group · Hongkai Qiao, “Electric Waves and Ghosts around 1900,” Journal of Nanjing Arts Institute (Fine Arts & Design), no. 3, 2025",
"sourceUrl": "https://mp.weixin.qq.com/s/Z92jDhhGRcvfCXq26zgyHg",
"excerpt": "William Hope, spirit photograph, an elderly couple with a ghost, c. 1910 [Abstract] \"Electricity,\" together with related technologies such as image telegraphy and X-ray photography, profound",
"cover": "/assets/articles/warburg-electricity-001.webp",
"titleParts": [
"Electric Waves and Ghosts around 1900: \"Electricity\" and Warburg's \"Image Science\""
],
"titlePhrases": [],
"cardAuthor": "Hongkai Qiao",
"publicationUrl": "https://mp.weixin.qq.com/s/Z92jDhhGRcvfCXq26zgyHg",
"eventContext": "",
"mlaCitation": "Qiao, Hongkai. “Electric Waves and Ghosts around 1900: "Electricity" and Warburg's "Image Science".” Journal of Nanjing Arts Institute (Fine Arts & Design), no. 3, 2025.",
"originalLanguage": "Chinese"
},
{
"id": "islands-second-origin",
"title": "The Second Origin of the World Begins with Islands",
"category": "papers",
"date": "2025-09-15",
"byline": "Guosen Chen",
"publisher": "",
"publication": "Little Cain Shelter",
"sourceUrl": "https://mp.weixin.qq.com/s/VYgJ9MSTK49M1gFXuWc48w",
"excerpt": "Some time ago, at the invitation of the CEF Experimental Moving Image Center, I selected a group of moving-image works by the artist Wei Hu for a special program and wrote an accompanying co",
"cover": "/assets/articles/islands-second-origin-014.webp",
"titlePhrases": [],
"titleParts": [
"The Second Origin of the World Begins with Islands"
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"cardAuthor": "Guosen Chen",
"publicationUrl": "https://mp.weixin.qq.com/s/VYgJ9MSTK49M1gFXuWc48w",
"eventContext": "",
"mlaCitation": "Chen, Guosen. “The Second Origin of the World Begins with Islands.” Photography Theory Shelter, 15 Sept 2025, www.phototheory.cn/en/articles/islands-second-origin.",
"originalLanguage": "Chinese"
},
{
"id": "photography-as-hermes",
"title": "Messenger, Archive and Memory: Photography as Hermes",
"category": "papers",
"date": "2025-06-18",
"byline": "Guosen Chen",
"publisher": "",
"publication": "Photography and Culture, vol. 18, no. 1, 2025, pp. 5–30",
"sourceUrl": "https://doi.org/10.1080/17514517.2025.2494890",
"excerpt": "Abstract Photography’s identity is defined as Hermes due to their shared mediatory nature, aligning photography with relational aesthetics. As a provisional product of the photographic proce",
"cover": "/assets/articles/photography-as-hermes-017.webp",
"titleParts": [
"Messenger, Archive and Memory: Photography as Hermes"
],
"titlePhrases": [],
"cardAuthor": "Guosen Chen",
"publicationUrl": "https://doi.org/10.1080/17514517.2025.2494890",
"eventContext": "",
"mlaCitation": "Chen, Guosen. “Messenger, Archive and Memory: Photography as Hermes.” Photography and Culture, vol. 18, no. 1, 2025, pp. 5–30. https://doi.org/10.1080/17514517.2025.2494890.",
"originalLanguage": "English"
},
{
"id": "salgado",
"title": "Reading Salgado: The Aestheticization of Suffering and Its Dialectics",
"category": "conversations",
"date": "2025-06-16",
"byline": "Guosen Chen",
"publisher": "",
"publication": "Little Cain Shelter",
"sourceUrl": "https://mp.weixin.qq.com/s/1Gg6sfAkZj4U-05z6eywIQ",
"excerpt": "The documentary screening before the talk. The Talk: Thanks, everyone, for coming out today. Thanks to Yanzhen for the introduction, and thanks to Butread Bookstore (白读书屋) for launching a ne",
"cover": "/assets/articles/salgado-cover-hd.webp",
"titleParts": [
"Reading Salgado: The Aestheticization of Suffering and Its Dialectics"
],
"titlePhrases": [],
"cardAuthor": "Guosen Chen",
"publicationUrl": "https://mp.weixin.qq.com/s/1Gg6sfAkZj4U-05z6eywIQ",
"eventContext": "",
"mlaCitation": "Chen, Guosen. “Reading Salgado: The Aestheticization of Suffering and Its Dialectics.” Photography Theory Shelter, 16 Jun 2025, www.phototheory.cn/en/articles/salgado.",
"originalLanguage": "Chinese"
},
{
"id": "fred-ritchin",
"title": "In Conversation with Fred Ritchin",
"date": "2025-06-14",
"byline": "Fred Ritchin, Rong Jiang, Guosen Chen, Ce Zang, Vera Xia",
"titleParts": [
"In Conversation with Fred Ritchin"
],
"category": "server",
"publisher": "",
"publication": "Server Art",
"sourceUrl": "",
"excerpt": "Opening Opening announcement Good evening, friends! Welcome to the thirteenth online forum of Server Art's series \"Contemporary Images: Paths and Possibilities.\" We are deeply honored to hav",
"cover": "/assets/articles/dialogue-ritchin-054.webp",
"biographySources": {
"弗雷德·里钦": [
"https://www.icp.org/users/fredritchin",
"https://aperture.org/editorial/is-documentary-photography-at-a-crossroads/"
]
},
"titlePhrases": [],
"cardAuthor": "Fred Ritchin",
"publicationUrl": "https://www.phototheory.cn/articles/fred-ritchin",
"eventContext": "",
"mlaCitation": "Ritchin, Fred, et al. “In Conversation with Fred Ritchin.” Photography Theory Shelter, 14 Jun 2025, www.phototheory.cn/en/articles/fred-ritchin.",
"originalLanguage": "Chinese and English"
},
{
"id": "typology",
"title": "From \"Repetition\" to \"Typology\": The Visual Internalization of Spatial Abstraction",
"category": "papers",
"date": "2025-05-15",
"byline": "Guosen Chen",
"publisher": "",
"publication": "Little Cain Shelter · Studies in Culture & Art, no. 2, 2025, pp. 16–24",
"sourceUrl": "https://mp.weixin.qq.com/s/OsSjFNFiCt3LXUFrFkiv9g",
"excerpt": "Abstract In the work of Ed Ruscha and Bernd and Hilla Becher, the strategies of \"repetition\" and \"typology\" in contemporary photography foreground the ways photographers organize their field",
"cover": "/assets/articles/typology-012.webp",
"titleParts": [
"From \"Repetition\" to \"Typology\": The Visual Internalization of Spatial Abstraction"
],
"titlePhrases": [],
"cardAuthor": "Guosen Chen",
"publicationUrl": "https://mp.weixin.qq.com/s/OsSjFNFiCt3LXUFrFkiv9g",
"eventContext": "",
"mlaCitation": "Chen, Guosen. “From "Repetition" to "Typology": The Visual Internalization of Spatial Abstraction.” Studies in Culture & Art, no. 2, 2025, pp. 16–24.",
"originalLanguage": "Chinese"
},
{
"id": "tableau-dialogue",
"title": "What Is the \"Tableau Form\"?",
"category": "server",
"date": "2025-05-11",
"byline": "Guosen Chen, Rong Jiang, Ce Zang",
"publisher": "",
"publication": "Little Cain Shelter",
"sourceUrl": "https://mp.weixin.qq.com/s/fuwcsamaLba90iXDEGDbdQ",
"excerpt": "This session of \"Server Art\" centers on \"Another Avant-Garde: Photography 1970–2000,\" the phenomenally popular exhibition that recently closed in Shanghai. We invited Guosen Chen, co-founder",
"cover": "/assets/articles/tableau-dialogue-039.webp",
"titlePhrases": [],
"titleParts": [
"What Is the \"Tableau Form\"?"
],
"cardAuthor": "Guosen Chen",
"publicationUrl": "https://mp.weixin.qq.com/s/fuwcsamaLba90iXDEGDbdQ",
"eventContext": "",
"mlaCitation": "Chen, Guosen, et al. “What Is the \"Tableau Form\"?” Photography Theory Shelter, 11 May 2025, www.phototheory.cn/en/articles/tableau-dialogue.",
"originalLanguage": "Chinese"
},
{
"id": "shutter-and-generation",
"title": "Photography After Artificial Intelligence: Reading the New Issue of Aperture",
"category": "conversations",
"date": "2025-04-13",
"byline": "Guosen Chen, Qiu",
"publisher": "",
"publication": "Little Cain Shelter",
"sourceUrl": "https://mp.weixin.qq.com/s/v9UQ_3KzYwmYt1O6H4lZFQ",
"excerpt": "Qiu Let me start with a quick introduction. Welcome to the Wuzhi Society's March Wuzhi Reading Room, which we are co-hosting with the Photography Theory Shelter. First, a few words about the ",
"cover": "/assets/community/aperture-257.jpg",
"titleParts": [
"Photography After Artificial Intelligence: Reading the New Issue of Aperture"
],
"coverStyle": "object-fit:contain;background:#f0efed",
"titlePhrases": [],
"cardAuthor": "Guosen Chen",
"publicationUrl": "https://mp.weixin.qq.com/s/v9UQ_3KzYwmYt1O6H4lZFQ",
"eventContext": "",
"mlaCitation": "Chen, Guosen, et al. “Photography After Artificial Intelligence: Reading the New Issue of Aperture.” Photography Theory Shelter, 13 Apr 2025, www.phototheory.cn/en/articles/shutter-and-generation.",
"originalLanguage": "Chinese"
},
{
"id": "pompidou-curator",
"title": "Matthias Pfaller on Metadata and the Materiality of Photography",
"category": "conversations",
"date": "2025-04-12",
"byline": "Matthias Pfaller, Guosen Chen",
"publisher": "",
"publication": "Little Cain Shelter",
"sourceUrl": "https://mp.weixin.qq.com/s/cXEx66VkbV6axEy3_7noJQ",
"excerpt": "Not long ago, we had the pleasure of conducting a short online interview with Matthias Pfaller, assistant curator at the Centre Pompidou. Pfaller is also one of the curators of \"Another Avant",
"cover": "/assets/articles/pompidou-curator-018.webp",
"titleParts": [
"Matthias Pfaller",
"on Metadata and the Materiality of Photography"
],
"titlePhrases": [],
"cardAuthor": "Matthias Pfaller",
"publicationUrl": "https://mp.weixin.qq.com/s/cXEx66VkbV6axEy3_7noJQ",
"eventContext": "",
"mlaCitation": "Pfaller, Matthias, et al. “Matthias Pfaller on Metadata and the Materiality of Photography.” Photography Theory Shelter, 12 Apr 2025, www.phototheory.cn/en/articles/pompidou-curator.",
"originalLanguage": "Chinese and English"
},
{
"id": "photography-and-literature",
"title": "Photography and Literature: How Can Photographs Tell Stories?",
"category": "conversations",
"date": "2025-01-14",
"byline": "Guosen Chen",
"publisher": "",
"publication": "Little Cain Shelter",
"sourceUrl": "https://mp.weixin.qq.com/s/_uumoxu8PwyWlvanaAEdag",
"excerpt": "On January 12, I gave a talk on \"Photography and Literature\" at \"Ant Photography\" (蚂蚁摄影) in my capacity as co-founder of \"Photography Theory Shelter\" (摄影理论避难所). My thanks to \"Ant Photography\"",
"cover": "/assets/articles/photography-and-literature-019.webp",
"titleParts": [
"Photography and Literature: How Can Photographs Tell Stories?"
],
"coverStyle": "width:187.5%;max-width:none;height:auto;position:absolute;left:-7.29%;top:-49.74%",
"titlePhrases": [],
"cardAuthor": "Guosen Chen",
"publicationUrl": "https://mp.weixin.qq.com/s/_uumoxu8PwyWlvanaAEdag",
"eventContext": "",
"mlaCitation": "Chen, Guosen. “Photography and Literature: How Can Photographs Tell Stories?” Photography Theory Shelter, 14 Jan 2025, www.phototheory.cn/en/articles/photography-and-literature.",
"originalLanguage": "Chinese"
},
{
"id": "yang-photography-anthropology",
"title": "How to Anthropologize Photography: A Glimpse at the Frontiers of the Western Anthropology of Photography",
"titleParts": [
"How to Anthropologize Photography: A Glimpse at the Frontiers of the Western Anthropology of Photography"
],
"category": "papers",
"date": "2025",
"byline": "Yunchang Yang",
"publisher": "",
"publication": "Yunchang Yang, “How to Anthropologize Photography,” Ethnic Arts, no. 4, 2025, pp. 130–141",
"sourceUrl": "https://mp.weixin.qq.com/s/BthCP4SkNDCYovz6xKhy9A",
"excerpt": "Abstract: Globally, the \"anthropology of photography\" is an emerging, still undefined academic field. A substantial body of research exists, but the field lacks a unified definition. Chinese",
"cover": "/assets/articles/yang-camera-indica-p131.png",
"titlePhrases": [],
"cardAuthor": "Yunchang Yang",
"publicationUrl": "https://mp.weixin.qq.com/s/BthCP4SkNDCYovz6xKhy9A",
"eventContext": "",
"mlaCitation": "Yang, Yunchang. “How to Anthropologize Photography: A Glimpse at the Frontiers of the Western Anthropology of Photography.” Ethnic Arts, no. 4, 2025, pp. 130–141.",
"originalLanguage": "Chinese"
},
{
"id": "everyday-photography-phenomenology",
"title": "The Phenomenology of Everyday Photography",
"titleParts": [
"The Phenomenology of Everyday Photography"
],
"category": "conversations",
"date": "2024-12-30",
"byline": "Guosen Chen",
"publisher": "",
"publication": "Baidu Bookhouse Evening Salon talk and Q&A",
"sourceUrl": "",
"excerpt": "Opening Host (Butread Bookstore): This is our last event of the year, and tonight's session is part of our \"Evening Living Room\" series. Has anyone been to one before? The series takes the f",
"cover": "/assets/articles/everyday-baldessari-three-balls.webp",
"titlePhrases": [],
"cardAuthor": "Guosen Chen",
"publicationUrl": "https://www.phototheory.cn/articles/everyday-photography-phenomenology",
"eventContext": "",
"mlaCitation": "Chen, Guosen. “The Phenomenology of Everyday Photography.” Photography Theory Shelter, 30 Dec 2024, www.phototheory.cn/en/articles/everyday-photography-phenomenology.",
"originalLanguage": "Chinese"
},
{
"id": "another-avant-garde",
"title": "In Search of an \"Other Avant-Garde\": Photography Against Myth",
"category": "papers",
"date": "2024-12-17",
"byline": "Guosen Chen",
"publisher": "",
"publication": "Little Cain Shelter · Chinese Photography, no. 12, 2024",
"sourceUrl": "https://mp.weixin.qq.com/s/jKi6cG3Kl-lfhHXW6bPL0A",
"excerpt": "[Abstract] The exhibition \"Another Avant-garde: Photography 1970–2000\" is grounded in the oscillation of the binary relationship of \"indexicality–absorption.\" As a result, the exhibition its",
"cover": "/assets/articles/another-avant-garde-001.webp",
"titleParts": [
"In Search of an \"Other Avant-Garde\": Photography Against Myth"
],
"titlePhrases": [],
"cardAuthor": "Guosen Chen",
"publicationUrl": "https://mp.weixin.qq.com/s/jKi6cG3Kl-lfhHXW6bPL0A",
"eventContext": "",
"mlaCitation": "Chen, Guosen. “In Search of an "Other Avant-Garde": Photography Against Myth.” Chinese Photography, no. 12, 2024.",
"originalLanguage": "Chinese"
},
{
"id": "soviet-cosmism",
"title": "The Cosmist Genealogy of Soviet Avant-Garde Cinema: Glass–Spheres, Mechanical Vitalism, and Interplanetary Revolution",
"category": "papers",
"date": "2024-12-11",
"byline": "Hongkai Qiao",
"publisher": "",
"publication": "Film Art · Hongkai Qiao, “The Cosmist Genealogy of Soviet Avant-Garde Cinema,” Film Art, no. 6, 2024",
"sourceUrl": "https://mp.weixin.qq.com/s/dGRKBg1tejK8v1Llul1CKg",
"excerpt": "Abstract: The Russian Cosmism of Fedorov, Tsiolkovsky, and others provides an important intellectual-historical coordinate for situating Futurist art and Soviet avant-garde cinema. Eisenstei",
"cover": "/assets/articles/soviet-cosmism-008.webp",
"titleParts": [
"The Cosmist Genealogy of Soviet Avant-Garde Cinema: Glass–Spheres, Mechanical Vitalism, and Interplanetary Revolution"
],
"titlePhrases": [],
"cardAuthor": "Hongkai Qiao",
"publicationUrl": "https://mp.weixin.qq.com/s/dGRKBg1tejK8v1Llul1CKg",
"eventContext": "",
"mlaCitation": "Qiao, Hongkai. “The Cosmist Genealogy of Soviet Avant-Garde Cinema: Glass–Spheres, Mechanical Vitalism, and Interplanetary Revolution.” Film Art, no. 6, 2024.",
"originalLanguage": "Chinese"
},
{
"id": "exhibition-tour",
"title": "Exhibition Tour: \"Another Avant-Garde: Photography 1970–2000\"",
"category": "conversations",
"date": "2024-11-17",
"byline": "Guosen Chen",
"publisher": "",
"publication": "Little Cain Shelter",
"sourceUrl": "https://mp.weixin.qq.com/s/UaRwsgT6fGBy8xFleDHiiA",
"excerpt": "The tour of \"Another Avant-Garde: Photography 1970–2000,\" co-organized by our community and the Department of Art Philosophy at Fudan University, has now officially come to an end. To prepar",
"cover": "/assets/articles/exhibition-tour-cover-hd.webp",
"titleParts": [
"Exhibition Tour: \"Another Avant-Garde: Photography 1970–2000\""
],
"titlePhrases": [],
"cardAuthor": "Guosen Chen",
"publicationUrl": "https://mp.weixin.qq.com/s/UaRwsgT6fGBy8xFleDHiiA",
"eventContext": "",
"mlaCitation": "Chen, Guosen. “Exhibition Tour: \"Another Avant-Garde: Photography 1970–2000\".” Photography Theory Shelter, 17 Nov 2024, www.phototheory.cn/en/articles/exhibition-tour.",
"originalLanguage": "Chinese"
},
{
"id": "warburg-photographer",
"title": "Warburg as Photographer",
"category": "papers",
"date": "2024-11-10",
"byline": "Hongkai Qiao",
"publisher": "",
"publication": "The Book of Images · Hongkai Qiao, “Warburg as Photographer,” Art Monthly, no. 9, 2024",
"sourceUrl": "https://mp.weixin.qq.com/s/tGdJFboRL0BcOZgK6q3JaA",
"excerpt": "In September 1895, Warburg set out on his legendary journey to America. Throughout the trip a new \"Buckeye\" camera never left his side, and he used it to photograph the many things he saw al",
"cover": "/assets/articles/warburg-photographer-005.webp",
"titlePhrases": [],
"titleParts": [
"Warburg as Photographer"
],
"cardAuthor": "Hongkai Qiao",
"publicationUrl": "https://mp.weixin.qq.com/s/tGdJFboRL0BcOZgK6q3JaA",
"eventContext": "",
"mlaCitation": "Qiao, Hongkai. “Warburg as Photographer.” Art Monthly, no. 9, 2024.",
"originalLanguage": "Chinese"
},
{
"id": "stephen-shore",
"title": "In Conversation with Stephen Shore: Photography as an Experience of Meaning",
"category": "conversations",
"date": "2024-09-26",
"byline": "Stephen Shore, Rong Jiang, Yunchang Yang, Guosen Chen, Zi Lin et al.",
"publisher": "",
"publication": "Little Cain Shelter",
"sourceUrl": "https://mp.weixin.qq.com/s/mjIkLX-1vv1hZRIxgwWy5A",
"excerpt": "On the morning of September 19, Stephen Shore joined Rong Jiang, Yunchang Yang, and our \"Photography Theory Shelter\" for a seminar. We have transcribed the recording and present the full t",
"cover": "/assets/articles/stephen-shore-007.webp",
"titleParts": [
"In Conversation with Stephen Shore: Photography as an Experience of Meaning"
],
"titlePhrases": [],
"cardAuthor": "Stephen Shore",
"publicationUrl": "https://mp.weixin.qq.com/s/mjIkLX-1vv1hZRIxgwWy5A",
"eventContext": "",
"mlaCitation": "Shore, Stephen, et al. “In Conversation with Stephen Shore: Photography as an Experience of Meaning.” Photography Theory Shelter, 26 Sept 2024, www.phototheory.cn/en/articles/stephen-shore.",
"originalLanguage": "Chinese and English"
},
{
"id": "warburg-atlas",
"title": "The Mnemosyne Atlas: Warburg's Image Experiment — \"Atlas,\" Motion Photography, and Montage",
"category": "papers",
"date": "2024-01-15",
"byline": "Hongkai Qiao",
"publisher": "",
"publication": "Journal of Beijing Film Academy · Hongkai Qiao, “The Mnemosyne Atlas: Warburg’s Image Experiment,” Journal of Beijing Film Academy, no. 3, 2023",
"sourceUrl": "https://mp.weixin.qq.com/s/oZuKpI3B2_8OEfSKsEqV-g?scene=1&click_id=339224858",
"excerpt": "Abstract: The Mnemosyne Atlas was Warburg's final research project, and it is also an avant-garde image experiment and a visual apparatus. By moving and assembling the materials on its panel",
"cover": "/assets/articles/warburg-atlas-009.webp",
"titleParts": [
"The Mnemosyne Atlas: Warburg's Image Experiment — \"Atlas,\" Motion Photography, and Montage"
],
"titlePhrases": [],
"cardAuthor": "Hongkai Qiao",
"publicationUrl": "https://mp.weixin.qq.com/s/oZuKpI3B2_8OEfSKsEqV-g?scene=1&click_id=339224858",
"eventContext": "",
"mlaCitation": "Qiao, Hongkai. “The Mnemosyne Atlas: Warburg's Image Experiment — "Atlas," Motion Photography, and Montage.” Journal of Beijing Film Academy, no. 3, 2023.",
"originalLanguage": "Chinese"
},
{
"id": "yang-family-photography",
"title": "Family Photography: History, Art, and Anthropology",
"titleParts": [
"Family Photography: History, Art, and Anthropology"
],
"titlePhrases": [],
"category": "papers",
"date": "2023-09",
"byline": "Yunchang Yang",
"cardAuthor": "Yunchang Yang",
"publisher": "",
"publication": "Yunchang Yang, “Family Photography: History, Art, and Anthropology,” Arts Exploration, vol. 37, no. 5, 2023, pp. 66–74",
"sourceUrl": "",
"excerpt": "Abstract: Family photography is one of the most common genres of photography, yet few scholars have studied it. Careful historical research, detailed and comprehensive social observation, an",
"cover": "/assets/articles/yang-family-photography-01.webp",
"publicationUrl": "https://www.phototheory.cn/articles/yang-family-photography",
"eventContext": "",
"mlaCitation": "Yang, Yunchang. “Family Photography: History, Art, and Anthropology.” Arts Exploration, vol. 37, no. 5, 2023, pp. 66–74.",
"originalLanguage": "Chinese"
},
{
"id": "lu-photomontage",
"title": "Photomontage, the Image Matrix, and the Mediatized Museum: The Exhibition Film und Foto (1929)",
"category": "papers",
"date": "2021",
"byline": "Mingjun Lu",
"publisher": "",
"publication": "Journal of Nanjing Arts Institute (Fine Arts & Design), no. 4, 2021, pp. 94–101",
"sourceUrl": "",
"excerpt": "Abstract: In 1929, the large international photography exhibition Film und Foto, initiated and organized by the Werkbund (the Deutscher Werkbund, or German Association of Craftsmen), was hel",
"cover": "/assets/articles/lu-photomontage-003.webp",
"titleParts": [
"Photomontage, the Image Matrix, and the Mediatized Museum: The Exhibition Film und Foto (1929)"
],
"titlePhrases": [],
"cardAuthor": "Mingjun Lu",
"publicationUrl": "https://www.phototheory.cn/articles/lu-photomontage",
"eventContext": "",
"mlaCitation": "Lu, Mingjun. “Photomontage, the Image Matrix, and the Mediatized Museum: The Exhibition Film und Foto (1929).” Journal of Nanjing Arts Institute (Fine Arts & Design), no. 4, 2021, pp. 94–101.",
"originalLanguage": "Chinese"
},
{
"id": "lu-october",
"title": "The Birth of the American Journal October",
"category": "papers",
"date": "2020",
"byline": "Mingjun Lu",
"publisher": "",
"publication": "Art History and Philosophy of Art, vol. 1, Commercial Press, 2020, pp. 377–403",
"sourceUrl": "",
"excerpt": "This article presents interim findings from the author's research on the American journal October. The research project was funded by the Asian Cultural Council (ACC) and the New Century Art",
"cover": "/assets/articles/lu-october-007.webp",
"titlePhrases": [],
"titleParts": [
"The Birth of the American Journal October"
],
"cardAuthor": "Mingjun Lu",
"publicationUrl": "https://www.phototheory.cn/articles/lu-october",
"eventContext": "",
"mlaCitation": "Lu, Mingjun. “The Birth of the American Journal October.” Art History and Philosophy of Art, vol. 1, Commercial Press, 2020, pp. 377–403.",
"originalLanguage": "Chinese"
}
]