Photography Theory Shelter
Public Archive
Essays and Conversations
Talks & Events
Photography and the Self:Why Do Some Photos Make Us Feel Ashamed?
Writing an Open History of Photography:Power, Archives, and the Future
A Dialogue with Yuk Hui:Technology, Individuation, and the Limits of Philosophy
Reading Jeff Wall:How Does a Staged Photograph Become a Classic?
Reading Thomas Ruff:How Should We Understand "The Mind Map of Photography"?
Reading Salgado:The Aestheticization of Suffering and Its Dialectics
Photography After Artificial Intelligence:Reading the New Issue of Aperture
Matthias Pfalleron Metadata and the Materiality of Photography
Photography and Literature:How Can Photographs Tell Stories?
The Phenomenology of Everyday Photography
Exhibition Tour:"Another Avant-Garde: Photography 1970–2000"
In Conversation with Stephen Shore:Photography as an Experience of Meaning
From “Server Art”Contemporary Images: Paths and Possibilities
Papers and Writing
Gregory Crewdson, the Night Watcher
Book Introduction:Expedition: Century Avant-Garde and Global Contemporary
When Everything the AI Says Is "Correct":Five Questions on AI Ethics
The Ethics of Representation:The Aesthetics of Traces in Atrocity Photography
What Is Photography Today?A Political Ontology
The Cut, the Apparatus, Constructedness:On the Problem of the "tableau form" in Contemporary Photography
The Uncanny Landscape:On the Non-Intimacy of Landscape Photography
Electric Waves and Ghosts around 1900:"Electricity" and Warburg's "Image Science"
The Second Origin of the World Begins with Islands
Messenger, Archive and Memory:Photography as Hermes
From "Repetition" to "Typology":The Visual Internalization of Spatial Abstraction
How to Anthropologize Photography:A Glimpse at the Frontiers of the Western Anthropology of Photography
In Search of an "Other Avant-Garde":Photography Against Myth
The Cosmist Genealogy of Soviet Avant-Garde Cinema:Glass–Spheres, Mechanical Vitalism, and Interplanetary Revolution
Warburg as Photographer
The Mnemosyne Atlas:Warburg's Image Experiment — "Atlas," Motion Photography, and Montage
Family Photography:History, Art, and Anthropology
Photomontage, the Image Matrix, and the Mediatized Museum:The Exhibition Film und Foto (1929)
